The Flash director, Andy Muschietti, has sparked a fascinating debate about the film's box office failure and the nature of public criticism. 'People don't see things, but they like to talk trash', he claims, defending his movie against what he sees as unfair backlash.
The 2023 superhero film, starring Ezra Miller, was a critical and financial disappointment, grossing only $271 million worldwide. Muschietti, in a recent interview, argued that some of the harsh criticism came from people who hadn't even watched the movie. He believes that people were quick to jump on the bandwagon of negativity, without fully understanding the film or its context.
But here's where it gets controversial: Muschietti acknowledges the impact of Miller's off-screen controversies, yet he remains proud of the film. He even encourages people to watch it, stating that he and his team poured their heart and soul into the project. This raises the question: Can a film be judged solely on its own merits, or do external factors inevitably influence its reception?
Muschietti previously attributed the film's failure to a lack of interest in the Flash character. He noted that the movie failed to attract a broad audience, a concept known in the industry as 'appealing to the four quadrants.' This includes males and females, both under and over 25 years old. The film's poor critical reception, excessive use of CGI, and the controversy surrounding Miller's personal life are all factors that likely contributed to its box office bomb status.
Interestingly, despite the film's failure, Muschietti is reportedly set to direct another DC film, 'The Brave and the Bold,' in the new DC Universe. This decision has sparked discussions about second chances and the complex relationship between art, artists, and their personal lives.
What do you think? Should a film be judged solely on its artistic merits, or do external factors play a significant role in its success or failure? Share your thoughts in the comments below, and let's explore this intriguing topic further!
